![]() ![]() But if history has taught me anything, it has to be in my style and merely interpret the story and/or concepts presented by the author. I became confused because initially I wanted to approach the album through the lens of a broken fairy-tale by way of Guillermo del Toro's brilliant film, Pan's Labyrinth, or a similar style therein. At that point I went straight back to the source material, The King in Yellow, and I read. I went searching through my codex of incomplete project files and rediscovered what I had titled, Where Black Stars Rise. The project was a personal, critical and financial success and I began thinking about my next project. Lovecraft's magnum opus, At The Mountains of Madness, titled The Secrets of Vanished Aeons which was released later on that year. ![]() In 2018 a flood of inspiration found the completion of a long gestating project based on H.P. The creative engines went into hibernation and nothing more would become of this project until 2019. Also, the first iteration of a track, The Tatters of the King, was attempted with an unintentional running time of just over 40 minutes. ![]() I began crafting the first track on the album, The Yellow Sign, it's first form which is not all too far from it's final form of the finished work. ![]() Chambers and having seen True Detective: Season One, I was highly inspired to give it all an aural interpretation. Between having read the novel, The King in Yellow, by Robert W. ![]()
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